This top-down conception of the fashion business couldn't be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline's three-year indictment of "fast fashion".
这种自上而下的时尚产业观念已经过时，与伊丽莎白·克莱恩在《过度着装》中描述的狂热世界大相径庭，该书是对"快时尚"长达三年的批判。
Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful," Cline argues.
克莱恩认为，大规模生产的服装，就像快餐一样，满足了人们的饥饿感和需求，但却不耐用且浪费。
As Davidson notes, “In the 10 years ending in 2009, [U.S.] factories shed workers so fast that they erased almost all the gains of the previous 70 years; roughly one out of every three manufacturing jobs – about 6 million in total – disappeared.
戴维森指出，在2009年结束的10年里，美国工厂裁员速度之快，几乎抹去了过去70年的所有成果；约三分之一的制造业岗位，总计约600万，消失。
We unconsciously associate fast food with speed and impatience and carry those impulses into whatever else we’re doing, Subjects exposed to fast-food flashes also tend to think a musical piece lasts too long.
我们无意识地将快餐与速度和不耐烦联系在一起，并将这些冲动带入我们正在做的其他事情中。接受快餐标志短暂刺激的受试者也倾向于认为一段音乐持续时间太长。
During the decade before the economic crisis, spending on legal services in America grew twice as fast as inflation.
在经济危机前的十年里，美国在法律服务上的支出增长速度是通货膨胀的两倍。
例句取自历年考研英语真题，翻译为机器生成，仅供学习参考。