We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared.
我们与20世纪初到第二次世界大战前夕英国报纸上发表的那些不那么聚焦的评论文章更是相去甚远，那时报纸纸张极其便宜，而风格高雅的艺术评论则被视为其出版物的装饰。
We tend to think of the decades immediately following World War II as a time of prosperity and growth, with soldiers returning home by the millions, going off to college on the G.
我们往往将第二次世界大战结束后的几十年视为繁荣与增长的时期，数以百万计的士兵返回家园，凭借G.I.法案进入大学深造。
During the Depression and the war, Americans had learned to live with less, and that restraint, in combination with the postwar confidence in the future, made small, efficient housing positively stylish.
在经济大萧条和战争时期，美国人学会了用更少的东西生活，而这种克制与战后对未来的信心相结合，使得小型而高效的住房变得非常时尚。
The phrase “less is more” was actually first popularized by a German, the architect Ludwig Mies van der Rohe, who like other people associated with the Bauhaus, a school of design, emigrated to the United States before World War II and took up posts at American architecture schools.
“少即是多”这一说法实际上最早是由一位德国人、建筑师路德维希·密斯·凡德罗（Ludwig Mies van der Rohe）推广开来的，他像其他与包豪斯设计学院有关的人一样，在第二次世界大战前移居美国，并在美国的建筑学院担任教职。
Its designing concept was affected by World War II.
其设计理念受到第二次世界大战的影响。
例句取自历年考研英语真题，翻译为机器生成，仅供学习参考。